A socially oriented non-financial development institution and a major organizer of nationwide and international conventions; exhibitions; and business, public, youth, sporting, and cultural events.

The Roscongress Foundation is a socially oriented non-financial development institution and a major organizer of nationwide and international conventions; exhibitions; and business, public, youth, sporting, and cultural events. It was established in pursuance of a decision by the President of the Russian Federation.

The Foundation was established in 2007 with the aim of facilitating the development of Russia’s economic potential, promoting its national interests, and strengthening the country’s image. One of the roles of the Foundation is to comprehensively evaluate, analyse, and cover issues on the Russian and global economic agendas. It also offers administrative services, provides promotional support for business projects and attracting investment, helps foster social entrepreneurship and charitable initiatives.

Each year, the Foundation’s events draw participants from 209 countries and territories, with more than 15,000 media representatives working on-site at Roscongress’ various venues. The Foundation benefits from analytical and professional expertise provided by 5,000 people working in Russia and abroad.

The Foundation works alongside various UN departments and other international organizations, and is building multi-format cooperation with 212 economic partners, including industrialists’ and entrepreneurs’ unions, financial, trade, and business associations from 86 countries worldwide, and 293 Russian public organizations, federal and regional executive and legislative bodies of the Russian Federation.

The Roscongress Foundation has Telegram channels in Russian t.me/Roscongress, English – t.me/RoscongressDirect, Spanish – t.me/RoscongressEsp and Arabic t.me/RosCongressArabic. Official website and Information and Analytical System of the Roscongress Foundation:roscongress.org.

Art. Creativity. AI

Congress Centre, Hall of Sber

Artificial intelligence is being increasingly employed in music, art, publishing and other creative sectors. Recent developments in creative AI have fundamentally challenged our ideas as to the capabilities of artificial intelligence. These include GPT-3, a global language model that is not only able to create texts of any kind, but also correct grammatical mistakes and engage in dialogue. Meanwhile, art created by AI is growing in demand, with one portrait selling for USD 432,500 at a Christie’s auction. As well as being able to produce work unaided, creative AI can also be used to help people, and creative collaborations between man and machine are becoming increasingly common. There is little doubt that creative AI opens up incredible possibilities; however, it also raises questions that need to be addressed, including: what approach should be taken to regulating the creation and dissemination of works of art, texts, and music created by AI? Who retains the authors’ rights in these cases? Will AI be used as a creative aid, or will it ultimately create work independently? Is AI truly capable of creativity, or is creativity solely the domain of people? How will AI shape our understanding of art? Will people’s creativity suffer with the arrival of automation in the arts? What challenges does the emergence of artificially generated content pose? Who should bear responsibility for potentially unacceptable AI-generated content, and who should be considered the author of work created by AI — the machine itself, or the people who developed its neural network, taught it, etc.? Should developers pay royalties to people whose intellectual property was used to train machines? Could work created by artificial intelligence find demand on the market, and what artistic value do these works have?


Date
Forum
SPIEF
Started at
12:00—13:15
Conference hall
Congress Centre, Hall of Sber
Analytics on the topic