A socially oriented non-financial development institution and a major organizer of international conventions, congress, exhibitions, business, social and sporting, public, and cultural events.

The Roscongress Foundation is a socially oriented non-financial development institution and a major organizer of international conventions; exhibitions; and business, public, sporting, and cultural events. It was established in pursuance of a decision by the President of the Russian Federation.

The Foundation was established in 2007 with the aim of facilitating the development of Russia’s economic potential, promoting its national interests, and strengthening the country’s image. One of the roles of the Foundation is to comprehensively evaluate, analyse, and cover issues on the Russian and global economic agendas. It also offers administrative services, provides promotional support for business projects and attracting investment, and helps foster social entrepreneurship and charitable initiatives.

Each year, the Foundation’s events draw participants from 208 countries and territories, with more than 15,000 media representatives working on-site at Roscongress’ various venues. The Foundation benefits from analytical and professional expertise provided by 5000 people working in Russia and abroad. In addition, it works in close cooperation with 163 economic partners; industrialists’ and entrepreneurs’ unions; and financial, trade, and business associations from 75 countries worldwide.

The Roscongress Foundation has Telegram channels in Russian (t.me/Roscongress), English (t.me/RoscongressDirect), and Spanish (t.me/RoscongressEsp). Official website and Information and Analytical System of the Roscongress Foundation: roscongress.org.

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Yuliana Slashcheva

Yuliana Slashcheva

Chairman of the Management Board, Soyuzmultfilm Film Studio; General Director, Gorky Film Studio; Chairman of the Management Board, Russian Animated Film Association
Creative Business Forum 2021
What Will Russia Come up with Next?
Our animated content for international markets is very versatile. We are all doing more and more dialogue-free content.  These are so-called physical gags, dialogues can only be replaced by funny, unorthodox physical gags. Masha and the Bear is a great example of this. Today, the big global giants, when they come to local markets, begin to take into account the specifics, needs and traditions of local markets. In other words, the winners are those who, upon entering the market, adapt, localize and integrate into the structure. And we need to do the same
SPIEF 2019
Exporting Culture: Ways to Present the Country’s Heritage in the International Arena
Our animated films have no problem finding an audience abroad. There seems to be a trend of sorts, a demand for Russian creativity. When we travel to international forums people show up in droves and line up to see what else did those Russians have come up with
SPIEF 2019
Creative Economy: Strategies for Promoting High-Tech Exports
The creative industries cannot grow and sell their products only within their own country, as growth potential is very limited and a ceiling is reached very quickly. The creative industries are an export channel. Russian animation, fashion, technological and industrial design, architecture and modern art all have a huge export potential
Russian Investment Forum 2019
The Art of Influence: Investment in Social Communications as a Factor in Sustainable Social Change
Content responsibility is as relevant as financial responsibility. Talking about viral on the Internet we meant an adult audience. When we talk about virality for children, safety is crucial
Russian Investment Forum 2019
The Art of Influence: Investment in Social Communications as a Factor in Sustainable Social Change
We see how high-quality visual content drastically impacts the society
EEF 2018
The Contribution of Female Innovators and Business Leaders to Shaping the Economy of the Future
We realise that the next generation watches, not reads. It is, of course, a big disappointment for us, and through our cartoons and video content we try, nevertheless, to motivate them to read
EEF 2018
The Forces Driving Change in Society: How to Create Effective Social Communication
To our great regret, today nobody sets objectives on what kind of cartoons the country needs today and what topics they should cover. Today, we set our objectives under social competencies and social responsibility that we bear as cartoon makers
SPIEF 2018
Made in Russia: National and Regional Branding as Tools for Economic Development and Promoting Russia around the World
When speaking about culture or any creative field, the most important thing in terms of export potential is to create the strongest possible symbiosis of national and universal cultural codes. This works well in animation, because we make a great deal of animations and cartoons without words at all. One example of a successful animation is Masha and the Bear