A socially oriented non-financial development institution and a major organizer of international conventions, congress, exhibitions, business, social and sporting, public, and cultural events.

The Roscongress Foundation is a socially oriented non-financial development institution and a major organizer of international conventions; exhibitions; and business, public, sporting, and cultural events. It was established in pursuance of a decision by the President of the Russian Federation.

The Foundation was established in 2007 with the aim of facilitating the development of Russia’s economic potential, promoting its national interests, and strengthening the country’s image. One of the roles of the Foundation is to comprehensively evaluate, analyse, and cover issues on the Russian and global economic agendas. It also offers administrative services, provides promotional support for business projects and attracting investment, and helps foster social entrepreneurship and charitable initiatives.

Each year, the Foundation’s events draw participants from 208 countries and territories, with more than 15,000 media representatives working on-site at Roscongress’ various venues. The Foundation benefits from analytical and professional expertise provided by 5000 people working in Russia and abroad. In addition, it works in close cooperation with 155 economic partners; industrialists’ and entrepreneurs’ unions; and financial, trade, and business associations from 75 countries worldwide.

The Roscongress Foundation has Telegram channels in Russian (t.me/Roscongress), English (t.me/RoscongressDirect), and Spanish (t.me/RoscongressEsp). Official website and Information and Analytical System of the Roscongress Foundation: roscongress.org.

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Lockdown Era Culture: Is Digitalization a Source of Inspiration or a Forced Measure?
2 June 2021
10:00—11:00

In adapting to the new digital reality, cultural figures have been forced to search for new forms of creative self-expression. Simply transitioning content into digital has proven not to be sufficient — we need a fundamentally new language and have to look for new genres and formats of communication with the audience. How much demand is there for traditional cultural content in the digital environment? What new genres and cultural projects did the lockdown period spawn? Who was the pioneer of the new digital formats? How has digitalization affected the work of directors and artists?

Date
02.06.2021
Forum
Creative Business Forum
Started at
10:00—11:00
Conference hall
Pavilion G, Innosocium LAB
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